The differences between eighteenth-century literature and romantic metrical compositions, with respect to history is effected here. This is seen through the influential plant of John Keats and Alexander pontiff. These works are acknowledged as, The shock of Lock and The Eve of St. Agnes. Alexander Pope takes his readers on a hatred filled epic. A vigorous piece of literature and love induced psychoses in, The Rape of Lock. On the other hand, The Eve of St. Agnes told a tale of life, love, death, and eternal fortune in heaven. These deuce brilliant writers have given two magnificent poems. Pope exhibits many characteristics of a narcissistic homo being. His independence in life shows through his writings in fiction. Which inevitably demonstrate his deeper feelings of life. Popes efforts here are of outstanding quality. However, his poem did fail to convince Arabella to résumé her engagement to lord Petre. Most of Popes efforts here were written with time. Now, Keats has romantically serenaded his reader with descriptive lust and desire, which can be compared with popes efforts by the difference in eighteenth century literature and romantic poems, their descriptive natures and ideas they portray to the reader through their writing.
        Pope has written an eighteenth-century poem which he calls, An Hero-Comical Poem.
This poem has exalted an over all sense of maladroitness for common rules. The mentioning of Achilles and the ever-popular Aeneas, are symbols of Popes Gothic style. Pope speaks (almost) G-D like throughout, The Rape of Lock. Contrary to Keats, who is more down-to-earth with his sense of pragmatism in his writings. In the beginning of Keats romantic premise to life in St. Agnes, all is cold. The opening sequence brings a sense of realism to this bitter cold scene. Cold owls, rabbits, and numb fingers on a holy, Beads man....
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