Jerzy Grotowski "Poor mans theatre".

Why do we sacrifice so much push to our art? Not in order to teach others simply to learn with them what our existence, our organism, our personal and unrepeatable intimacy have to buy the farm us; to learn to break down the barriers which surround us and to free ourselves from the breaks which hold us back, from the lies about ourselves which we manufacture perfunctory for ourselves and for others; to destroy the limitations caused by our ignorance and lack of courage; in short, to play the emptiness in us: to fulfill ourselves. Art is neither a state of the soul (in the sense of some extraordinary, maverick moment of inspiration) nor a state of man (in the sense of a profession or social function). Art is an evolution, an uplifting which enables us to emerge from darkness into a blaze of light.

We fight then(prenominal) to discover, to experience the truth about ourselves, to tear away the masks scum bag which we hide daily. volume see theatre as a place of provocation, a challenge the actor sets himself and also, indirectly, other people. dramatic art only has a meaning if it allows people to transcend at that place own stereotyped vision, their general feelings and customs, our standards of judgment.



This is so that we may experience what is real and if the audience and the actor can put themselves in a state of complete defenselessness they may uncover and discover themselves. In this way usually through coldcock it allows people to come out from behind their daily masks. People are then able, without hiding anything, to see themselves as what they submarine sandwich consciously did not let themselves see previously.

Grotowskis work hard-pressed the importance of the actor, and is known for a physically demanding style of home bordering on dance choreography. Wojciech...

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