Several other motifs are also successfully intertwined into this drama. Hansberrys avant-garde concerns, her prophetic political vision, and her efficacy to perceive the future importance of events that few people in 1959 were even aware of are used as lesser motifs or minor themes throughout the play.
The issue of feminism is one such example. Three generations of women reside in the Younger household, each possessing a different political perspective of herself as a woman.
ma (Lena Younger), in her early sixties, speaks matter-of-factly roughly her husbands prior womanizing. Ruth, about thirty, is more vocal about her feelings to her own husband than Mama was; still, Ruth is not as enlightened about a womans place as is Beneatha, who is about twenty and pursuing a career that, in 1959, was largely a male-dominated profession.
Much of the contest between Beneatha and Walter revolves around Walters chauvinistic view of Beneatha. When Walter complains that Beneathas medical knowledge will cost more than the family can afford, he bases his phone line on the fact that since Beneatha is a woman, she should not even requisite...If you want to get a full essay, order it on our website: Orderessay
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